We are the Central Minnesota Libraries Exchange, a multitype system serving all types of libraries. We are here to help you find new books, for yourself or for your library.
This season we are moving through the state of Minnesota, looking at an interesting fact about each county and giving you a book prompt from that fact. We will share six book suggestions to meet that prompt, to get you started on reading new books. You can also take that prompt and find any other book to meet the challenge!
This week we look at Cottonwood County. The Jeffers Petroglyphs, near Jeffers, contain pre-European Native American rock carvings; to celebrate that, we want you to read a book with any type of painting.
We give you links to each of these books on our show notes page, taking you to Amazon.com. If you click on any of them, and buy anything at all – including a nice book – Amazon will send us a small percent of the profits they made on these sales. Thank you for supporting CMLE!
The Picture of Dorian Gray, by Oscar Wilde
Dorian Gray is a handsome young man with a bright future as the opportunities of high society wait to open doors for him. However, after agreeing to sit for a portrait and realizing his own youth and attractiveness, Dorian is devastated by the knowledge that the painting will always remain beautiful while his own looks will diminish. In his upset, Dorian offers to sell his very soul if only the painting could age instead of himself a wish that, without his knowledge, is granted. Years pass and Dorian’s star burns more brightly as his good looks defy the passage of time. However, hidden in secret, the portrait not only reflects the years passed but also the true cost of all Dorian’s sins: each betrayal and every base indulgence makes the portrait more hideous. Free of the physical burden of his actions, he plunges deeper into depravity until forced to ask the terrible question: which is the true version of himself?
Girl with a Pearl Earring, by Tracy Chevalier
With precisely 35 canvases to his credit, the Dutch painter Johannes Vermeer represents one of the great enigmas of 17th-century art. The meager facts of his biography have been gleaned from a handful of legal documents. Yet Vermeer’s extraordinary paintings of domestic life, with their subtle play of light and texture, have come to define the Dutch golden age. His portrait of the anonymous Girl with a Pearl Earring has exerted a particular fascination for centuries—and it is this magnetic painting that lies at the heart of Tracy Chevalier’s second novel of the same title.
Girl with a Pearl Earring centers on Vermeer’s prosperous Delft household during the 1660s. When Griet, the novel’s quietly perceptive heroine, is hired as a servant, turmoil follows. First, the 16-year-old narrator becomes increasingly intimate with her master. Then Vermeer employs her as his assistant—and ultimately has Griet sit for him as a model.
The Goldfinch, by Donna Tartt
Theo Decker, a 13-year-old New Yorker, miraculously survives an accident that kills his mother. Abandoned by his father, Theo is taken in by the family of a wealthy friend. Bewildered by his strange new home on Park Avenue, disturbed by schoolmates who don’t know how to talk to him, and tormented above all by a longing for his mother, he clings to the one thing that reminds him of her: a small, mysteriously captivating painting that ultimately draws Theo into a wealthy and insular art community.
As an adult, Theo moves silkily between the drawing rooms of the rich and the dusty labyrinth of an antiques store where he works. He is alienated and in love — and at the center of a narrowing, ever more dangerous circle.
The Birth of Venus, by Sarah Dunant
Alessandra Cecchi is not quite fifteen when her father, a prosperous cloth merchant, brings a young painter back from northern Europe to decorate the chapel walls in the family’s Florentine palazzo. A child of the Renaissance, with a precocious mind and a talent for drawing, Alessandra is intoxicated by the painter’s abilities.
But their burgeoning relationship is interrupted when Alessandra’s parents arrange her marriage to a wealthy, much older man. Meanwhile, Florence is changing, increasingly subject to the growing suppression imposed by the fundamentalist monk Savonarola, who is seizing religious and political control. Alessandra and her native city are caught between the Medici state, with its love of luxury, learning, and dazzling art, and the hellfire preaching and increasing violence of Savonarola’s reactionary followers. Played out against this turbulent backdrop, Alessandra’s married life is a misery, except for the surprising freedom it allows her to pursue her powerful attraction to the young painter and his art.
From the Mixed-Up Files of Mrs. Basil E. Frankweiler, by E.L. Konigsburg
When Claudia decided to run away, she planned very carefully. She would be gone just long enough to teach her parents a lesson in Claudia appreciation. And she would go in comfort-she would live at the Metropolitan Museum of Art. She saved her money, and she invited her brother Jamie to go, mostly because he was a miser and would have money.
Claudia was a good organizer and Jamie had some ideas, too; so the two took up residence at the museum right on schedule. But once the fun of settling in was over, Claudia had two unexpected problems: She felt just the same, and she wanted to feel different; and she found a statue at the Museum so beautiful she could not go home until she had discovered its maker, a question that baffled the experts, too.
The former owner of the statue was Mrs. Basil E. Frankweiler. Without her—well, without her, Claudia might never have found a way to go home.
An Artist of the Floating World, by Kazuo Ishiguro
Masuji Ono saw misery in his homeland and became unwilling to spend his skills solely in the celebration of physical beauty. Instead, he envisioned a strong and powerful nation of the future, and he put his painting to work in the service of the movement that led Japan into World War II. Now, as the mature Masuji Ono struggles through the spiritual wreckage of that war, his memories of the “floating world” of his youth, full of pleasure and promise, serve as an escape from, a punishment for—and a justification of—his entire life. Drifting without honor in Japan’s postwar society, which indicts him for its defeat and reviles him for his aesthetics, he relives the passage through his personal history that makes him both a hero and a coward but, above all, a human being. An Artist of the Floating World is a sensual and profoundly convincing portrait of the artist as an aging man. At once a multigenerational tale and a samurai death poem written in English, it is also a saga of the clash of the old and new orders, blending classical and contemporary iconography with compassion and wit.
CONCLUSION:
Thanks for joining us! We’ll be back next week with a look at the next county and the next book prompt!